I’m not a huge fan of pop music, especially the more modern incarnations of such. I can get down with some Neon Trees though.
The first time I saw Neon Trees perform was at the Filmore in downtown Denver back in 2012 with The Offspring and Dead Sara. It was a weird bill to say the least, but somehow they managed to put on a compelling performance that didn’t clash with the other genres of the night.
When they announced that they were doing an ‘Intimate Performance’ at the Gothic Theater, I was pretty excited to see how they’d pull it all off. The last time I had seen that type of show at the Gothic was back when Sevendust came through with their acoustic tour, and it blew my mind. I had high hopes to see Neon Trees in a stripped down way, but apparently to them “An Intimate Night Out With…” doesn’t mean an acoustic, storytellers style set. It just means that they’re playing smaller clubs on this tour because someone doesn’t feel comfortable with their ability to pack out huge rooms at the moment. In all fairness, they are only out promoting a new non-album single, not a whole new record, and people’s attention span isn’t what it used to be. So, although it felt a bit like a bait and switch to me, I set out to enjoy the show regardless.
Firstly, not to be “that” a**hole, but the two opening bands that Neon Trees brought with them were some of the blandest bands that I’ve had the pleasure of listening to on a national stage. I’ve thought back on it a bit, and there was honestly nothing that stood out with either band to me, unless mediocrity is a selling point. They were both generic female fronted pop rock bands with generic songs that felt as if they were written by a half asleep pop rock producer. I mean, when every song feels like a good song to go take a piss during, well, something’s missing.
When Neon Trees finally took the stage I breathed a sigh of relief. They opened with their new single, “Songs I Can’t Listen To”, a song that as of yet isn’t attached to a forthcoming album.
Lead singer Tyler Glenn gave his usual energetic performance, his odd high-kick dancing style making the “1983” singer seem very spry for his age. I also am fairly new to my 30’s, so I was a bit jealous of of his ability to maintain that level of energy throughout the entire show. For me to even come close would probably take a lethal combination of Red Bull and drugs.
When I saw Neon Trees back in 2012 they had a fill in drummer because Elaine Bradley was home, taking care of her newborn. This time around she was back behind the kit, participating in general badassery.
While I’d like to eventually see Neon Trees pull out the acoustics and cajon, I’ll settle for rocking out to their electric set any day. Here’s hoping that I can catch an acoustic set some time in the future!