Tag Archives: Denver Concert Blog

7/27/15: Imagine Dragons w/Metric Pepsi Center, Denver Colorado

7/27/15: Imagine Dragons w/Metric 

Pepsi Center, 
Denver Colorado
  Firstly, I really wanted to thank my friend Frenchie for the ticket hook up. He’s a back line tech for Metric (and works for a few other bands as well!), but unfortunately he wasn’t on this run with them. He’s actually one of the biggest reasons that I got involved in the music industry in the first place, but that’s a story for another day.
   I’ve been coming out to Denver for almost ten years and the Imagine Dragons show was the first time that I’ve been to the Pepsi Center. It was actually the first time that I had been to a huge arena show. I had been to smaller arenas, the biggest being the Mullins Center at Umass, but that venue is only 1/2 the size of the Pepsi Center’s 20,000 capacity. I also have been to huge outdoor amphitheaters that hold way more than that, but to be indoors, inside a giant concrete bowl full of screaming people, well, it was a slightly overwhelming sight. 
   The seats I had were super close, so binoculars weren’t necessary. I kind of felt for the people seated up in the nosebleeds, because to me they looked like tiny insects marching about, so I couldn’t imagine trying to watch the show from way up there.
   The stage was set up on one of the ends of the arena, with my seats a dozen rows up from the floor, in a section that was directly stage left, closest to the floor. Being that close to the stage was awesome, especially when it turned out to be such a fun show. On the flip side though, from that vantage I did noticed two very annoying elements.
   First off, and I honestly at the beginning thought it was because I was pretty close to side stage, the sound for Metric and the other opening act, a girl named Halsey, was absolutely horrible. In contrast, when Imagine Dragons came on the sound was as great as it was atrocious for the openers. Now, I’ve been involved with enough shows to know that often times big headlining bands have a soundboard and sound engineer specific to their set. Also, there are plenty of times where the openers aren’t allowed to utilize all of the channels on a soundboard or even to use all the speakers in the room. Another reason such a huge disparity can exist is because of either lack of the support bands having a proper sound check, or an inexperienced sound engineer working for them.
   Regardless of the reasons, the sound was mixed so badly for Metric and Halsey that I had an actual headache by the time Imagine Dragons started their set. The high end on the vocals was so shrill that it made it next to impossible to even distinguish them as words, even though I knew many of the songs. 
   I’ve seen Metric headline a few smaller venues and they completely blew my mind, so I had been really looking forward to seeing them perform their set on a huge stage. I was kind of pissed when it wasn’t as enjoyable as I knew it should have been.  
   I know that if I was a headlining act, I would insist on the sound being held to the highest standard. I understand if they limit the lighting and stage production, or even if a cap is put on how high the volume can be turned up, but honestly to someone who knows how it all works it makes the headliner look like douchebags to have such a night and day difference to the sound. To someone that doesn’t know the workings, it makes the openers look like they suck, and my question to that is why would you, as a headliner, want people to think you’ve taken out subpar bands on your tour?
   The second thing that struck me, had to do with the lighting. After learning to be a lighting director while I was touring with Man on Earth, the light show has become one of the most interesting parts of a rock show to me. The thing I learned about lighting from this show had to do with understanding your space.         
   There was a group of three spotlights that pointed across the stage providing a sort of ‘wash’ effect, keeping the band lit up from a slightly behind angle, that way most of the crowd could see them. What I’m not sure was taken in to account was, that in a venue where the seating was set up such as it was, the fact that the wash lighting, which tended to be constantly on, was blinding to everyone sitting in the first two sections of both sides of the arena. I saw numerous people wearing their sunglasses throughout most of the show. This upped my awareness as a lighting director for how what may look good on stage may not be the best thing for your audience. Being conscious of the crowd and how your lights affect them is an important part of the job.
   That all is not to say I didn’t have fun, all in all the show was absolutely great. Imagine Dragons had the crowd completely captivated, engaged, on their feet and dancing. Their sound, performance, lights and production easily shot them up to a top 3 show of 2015 so far for me. I just wish they’d show a little more love for their openers…

7/11/15: Channel 93.3’s Big Gig @ Fiddler’s Green Amphitheater- Englewood, CO

   I have a major loved/hate relationship with radio shows. On one hand, the typically all day events usually provide a wide variety of bands all playing a collection of their greatest hits with a smattering of new or rare cuts interspersed. On the other hand, the shows usually feel rushed, and the amount of logistics involved with pulling them off usually leads to something slipping through the cracks.
   I decided to check out KTCL’s Big Gig 2015 mainly because of Awolnation and also that earworm of a song “Cecilia and the Satellite”, by Andrew McMahon in the Wilderness. While I knew songs by the rest of the artists, those were the main deciding factors for me. 
   I had no luck securing a press pass for the show, (the referral chain led to the promoter, AEG, who apparently doesn’t check their email!), so I decided to just to bite the bullet and buy tickets. After a failed attempt to buy tickets at the Fiddler’s Green box office, (they were closed even though their posted hours said they were supposed to be open…), I rolled the dice on the show not selling out and went back to the box office on the day of the show. 
   Day of tickets were more expensive than the presale price, and even though I tried to argue that I should get the presale price because the box office had been closed the day before during their scheduled hours of operation, the ticket agent wouldn’t have any of it. Before I could begrudgingly hand over my credit card and pay full price, a stranger approached and offered a free set of GA tickets, no strings attached. Graciously accepting the change of fortune, I took the tickets and headed in to the venue. 
   I arrived just before the first band, Pandas and People, kicked things off. They are an local alt-folk band that won a contest through KTCL to secure the opening spot on the main stage. After a few songs I made my way to the “Locals Only” stage, which was located outside the main amphitheater. 
   While I think it’s cool that radio stations tend to have a stage promoting local artists at their shows, it hardly ever works out as well as it might seem in theory. Often times, like at Big Gig, the second stage is in an out of the way spot and the set times usually overlap the times of the main stage acts. I tried to split my time between the two stages, but as the show progressed it became a nuisance to walk back and forth and never actually  catch either bands full set. I gave up after the third round trip. I honestly think that a better system would be to have the local’s stage set up somewhere in the main area, have them play shorter sets, and have those sets be in between the sets of the main stage artists, with the locals playing while the nationals are breaking down and setting up. This would afford better exposure for the local bands, give the audience something better than house music to listen to, and also give the nationals a tiny bit more time to go about the business of setting up. Maybe one day I’ll be on a committee that plans such things, but until then I guess I’ll just have to hope that someone else has the same idea as me.
   A number of the bands that were on the bill are current up and comers. St. Motel, Banks, and Atlas Genius all have one song that everyone in the crowd knew, so there was a general blasé attitude during their sets until they played the well known radio song, at which point people got to their feet and acted like they were at a concert. 
   As is more common than you’d think with festival style shows, technical issues plagued the day. At one point the speakers that pumped sound to the lawn went out, making it feel as if we were watching the show from the parking lot and listening to it on the neighborhood boombox. The stage microphones seem to be having difficulty as well, and all the problems led to Banks set being cut down to only 3 songs. While I think she was the one act on the bill that I had no real desire to see, the three songs that she played did prove to me that she has an amazing voice. When she announced that her set was being cut, she seemed genuinely upset about it. While I may be a cynical ass, I couldn’t help but feel bad for her.  
   The biggest surprise for me was probably how much I enjoyed the New Politics set. While I was on tour with Man on Earth, the band’s drummer would play New Politics on the regular while he was driving, so I had a decent sense of what to expect musically from their set. What you don’t get from listening to an album is the high energy, break dance riddled performance that got an otherwise docile crowd moving. New Politics brought that in force, commanding the crowd with a thoroughly entertaining experience.
  Andrew McMahon and Nate Ruess both played solid sets, covering their individual catalogues well. Both had plenty of material from their previous bands, with Andrew McMahon breaking out songs from his Something Corporate and Jack’s Mannequin days, and Nate Ruess playing enough Fun. songs that I feel like it might as well been a Fun. show. 
   All the day’s build up led to Awolnation’s headlining slot. Their set was obviously the one that the promoters were banking on being the show’s selling point, as evidenced by the fact that the level of production for Awolnation was miles above the rest of the bands on the ticket. They brought in their own lighting rig that, as a lightning director, I was completely jealous of. 
   The 11:15pm curfew meant that Awolnation only played for an hour, but they managed to put on an incredible show in that short time. At 11:15 sharp, the show was over and the sodium lights came on, cueing everyone to clear out, stat. After an 8 hour show, I was more then happy to oblige.